What would a Caribbean writing system be? What would its materiality be, but more importantly, what would its medium of reception and expression be? The system and grammar of Caribbean languages differ from those of Latin languages such as French. Just as the process of translation raises specific issues, so do Caribbean graphic systems. How do we write in the Caribbean, and in what mediums?

During his Artist Fellowship, Francietta will explore the creation of a Caribbean writing system, focusing on its materiality and medium of expression. He will delve into the mythology of Caribbean graphic systems through blending lettering and typography. In particular, he will focus on ritual graphic systems such as the anaforuana from Cuba and the vévés from Haiti. These symbols, inherited from African traditions, provide a rich foundation for understanding how signs can embody beliefs and myths. By integrating these elements, Francietta aims to develop a Caribbean writing system that not only phoneticizes language but also captures the spiritual and mythological essence of Caribbean culture.

To learn more about Francietta’s research on Caribbean graphic systems and creative process during his art residency at the Bakehouse Art Complex, see document below.

Arthur Francietta is a graphic and typographic designer and artist from Martinique. His work explores the intersections of design, graphic divination, and sensitive territories. In his practice, he examines signs, scripts, and images, blending a designer’s research methodology with a mixed-media artistic approach—weaving, patterns, writing, and traces—while exploring themes of futurism. How can proactive anticipation of the future shape our present? This question guides his artistic work.

The 2024 Artist Fellowship has been presented in collaboration with Bakehouse Art Complex.