In IYAMI, Karina Moret-Miranda investigates how Cuban women artists have transformed representations of Black womanhood by replacing colonial images of Blackness with sacred Afro diasporic visualities grounded in ancestry, spirituality, memory, and resistance.
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Pendientes plays with a double meaning in Spanish: It refers both to slopes—the physical inclines central to accessibility design—and to something that remains pending or unresolved. In Pendientes, Study II, Noa Batlle examines kinetic normativity: the social and spatial conditions that determine who is permitted to move freely through public space and who remains structurally excluded.
