An artist from the Bahamas, April Bey creates impactful and colorful works that address race, identity, feminism and popular culture through a multidisciplinary approach. Inspired by Afrosurrealism and Afrofuturism, Bey’s artistic practice explores the complexities of American and Bahamian cultures through a decolonizing perspective. She uses references from pop culture deliberately, leveraging them to illustrate her own personal mythologies.
Presenting engaging discussions and conversations with artists, scholars, curators, and cultural producers on topics concerning contemporary art and visual culture in the Caribbean and its diasporas.
Barbadian visual artist Ewan Atkinson discusses his creative process and the invisible microorganisms that inhabit the evolving fictional world, The Neighbourhood. This conversation developed in the context of a Caribbean Cultural Institute research trip to Barbados in March 2020, at the onset of the pandemic quarantine phase.
Puerto Rico-based dancer and performance artist nibia pastrana santiago develops site-specific “choreographic events” to experiment with time, fiction, and notions of territory. In this conversation, nibia speaks about idleness, exhaustion, corporal vandalism, and the tensions between bodies and space in times of global pandemic.
Phillip Thomas is an artist living in Jamaica. His striking paintings depict Black imagery that reflect the discourses on social justice that affects Black communities in the Caribbean and across the world. Drawing from the complex history of race in Jamaica, and referencing classical motifs in Western painting, Thomas creates surreal or dreamlike images in which Black bodies are depicted with honor and beauty.